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The one piano ("Piano Number One") seemed to have a more lively personality and a fairly strong bottom end, yet I couldn't quite coax it to sing in the treble the way I had hoped. I know that I usually take about an hour and a half to crack the code of any Steinway I am presented with, so I would not rule out this instrument yet. It seemed to have plenty of colours available.
The other piano seemed a little reticent at first, but all of a sudden it gave me back an arpeggio that was so exquisite, controlled, and beautiful...at that moment, I started to fall in love.
Then back to the first piano to see where we would go next, and I noticed that I was tensing up in response to some "barking" back at me. Back and forth, back and forth, and still I found my love for "Piano Number Two" growing. It was able to draw me into a more intimate sound, and seemed to be more of a calming personality.
By now quite smitten, I continued to play the entire recording program on Piano Number Two and increasingly felt as though we were becoming friends and that all would be well. I still had no idea of whether this Piano Number Two was Bertha or Oliver. As I was leaving the GGS when there was no one around to clarify, I actually did not know until I arrived in the morning to start recording that I had in fact chosen Bertha! Again.
Hey - You have a blog! Cool. Love this - I had no idea choosing a piano could be such an intimate thing - but why not? All good instruments have their own voice. Cheers to Bertha!
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